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xyrva0h5
Posted: Tue 16:02, 15 Oct 2013
Post subject: louboutin pas cher 188 Stage Heros Journey (Monomy
THERE IS ONLY ONE STORY
Willing or Unwilling. It is here that we are informed whether the Hero is intrinsically for or against the Journey and Transformation. In Star Wars (1977), Luke really wants to follow his Father's footsteps, leave Tattooine, become a Jedi and fight the Empire. In Alien (1979), everyone really would have preferred waking up on Earth.
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[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord [url=http://www.mxitcms.com/abercrombie/]abercrombie milano[/url] of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
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b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
The Herald delivers the Call to Adventure. This implicitly means that the Hero must confront one or more of his Challenges. In Titanic (1997), Rose meets Jack and she must first confront her Inner and Outer Challenges. In Alien (1979), they must land on the planet [url=http://www.gotprintsigns.com/abercrombiepascher/]abercrombie pas cher[/url] (ultimately a Greater Antagonism).
The Heralds are attracted to the Hero because he demonstrates a quality. In The Magnificent Seven (1960), the farmers are impressed by Chris and Vin. In Star Wars (1977), music when Luke [url=http://www.teatrodeoro.com/hollisterde.php]hollister[/url] appears signals that there is a quality about him.
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Fascination. The Hero is often fascinated by the Call. It does, after all, relate to his (or her) own Transformation.
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