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Lucky Country
PostPosted: Mon 17:43, 26 Aug 2013
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Lucky Country
Twelve year-old Tom's beloved father, Nat, has dragged him and his sister, Sarah, to an isolated farm at the edge of the woods. But Nat's dream of living off the land has died and he is losing his grip on sanity. When three ex-soldiers arrive at their cabin one night Tom, like his father, believes they are providence. But their presence becomes more menacing when one of them reveals a secret: he's found gold. As the lure of gold infects everyone around him the cabin becomes a psychological battleground in which Tom's loyalty is put to the ultimate test.
Genres: Drama, Thriller, Western
Dark and sober Lucky Country is not pretty. There is a body count here and the violence when it comes, is swift and ugly. Still, for all of its bloodshed and its mordant tone of last options (all bad) it is also really quite thrilling.
Director Kriv Stenders makes the action claustrophobic. In 1902 in an Aussie bush outland, even the trees look tortured. Instead of wide rolling vistas of wooded hills,[link widoczny dla zalogowanych], Stenders and cinematographer Jules O'Loughlin produce images that seem filtered through a scarifying mutant of contemporary Japanese horror and Grimm fairytale, where the forest takes on the aspect of a terrible beast. In this Lucky Country there is no refuge; only deadly secrets where it is a victory just to survive.
Andy Cox's screenplay is taut, elegant and carefully plotted. It centres on the fate of failed farmer Nat (Aden Young) and his teenage family Tom (Toby Wallace) and Sarah (Hanna Mangan-Lawrence). Recently widowed, idealistic and incompetent Nat is losing his mind and his fragile state threatens the fate of his two children. When strangers enter the scenario, everything changes. Henry (Pip Miller), Carver (Neil Pigot) and Jimmy (Eamon Farren) are war veterans who happen upon Nat's homestead, offering help. Dirty and scarred, they convey a casual menace that is frightening to Sarah, but deeply compelling to her little brother,[link widoczny dla zalogowanych], Tom. It quickly emerges that there are tensions and unspoken betrayals within the trio of strangers - a situation that rapidly engulfs Nat's family.
Stenders plays much of this out in short punchy scenes, often staying in close to the faces of his fine actors; this way we can feel fear,[link widoczny dla zalogowanych], envy, lust, and danger; even if the characters can't read each other, we can. It is the audience that first grasps the truth here; the Strangers usher Nat and his kids into the Heart of Darkness. The effect is startling and disturbing. It creates a sense of paranoia and anxious anticipation where it's possible for us to determine that is there a clear threat. As in classic horror, we wait for the innocent characters to turn tables,[link widoczny dla zalogowanych], still, we have no idea where or how the climatic explosion of tensions will arrive, until it is too late. It's classic suspense filmmaking,[link widoczny dla zalogowanych], the cinematic equivalent of shouting a warning of 'Look behind you!' and Stenders performs it masterfully.
If the horror film guides the visceral and emotional atmosphere of Lucky Country, it is the western that offers of a model for the plot. In Cox's careful construction the action is supported by a political and social context of land takeovers, gold-diggers, opportunists,[link widoczny dla zalogowanych], and the impact of a foreign war. In Lucky Country the land is savaged by greed, and overrun by technological progress (the coming of the railway), meanwhile pioneers are forgotten, the bonds of family and loyalty tested and corrupted.
This is Stenders' fourth feature since his excellent and criminally overlooked 2005 debut The Illustrated Family Doctor. Since then he's been experimenting with low budgets, real locations and developing his already considerable skills with actors in Blacktown and the brilliant Boxing Day. Lucky Country demonstrates once more his gifts: a skill with atmosphere and a talent for eliciting lived-in performances. With Lucky Country he proves he can handle the knotty twists and curves of a genuine thriller and deliver them in a way that's both scary and original.
A quirky, gently comedic portrait of a gifted teenager rebelling against life's limits in a frozen Icelandic coastal village. 17-year-old Noi lives with his grandmother in a remote fjord in the north of Iceland. When Noi meets Íris,[link widoczny dla zalogowanych], a girl who has returned from the city to work at the local petrol station, they hatch a plan to run off to Hawaii together. A hit on the international film circuit. Directed by Dagur Kári and stars Tómas Lemarquis, Thröstur Leó Gunnarsson and Elín Hansdóttir. (From Iceland,[link widoczny dla zalogowanych], in Icelandic) (Drama) (2003) (Rpt) M (L,A)
Pavel Josek, a distinguished psychiatrist,[link widoczny dla zalogowanych], is about to receive an award for his life's work. His wife and daughter are thrilled, and his son-in-law Ludek leads a documentary crew following him in the lead-up to the ceremony. However, Ludek's research uncovers Pavel's hidden past as a collaborator with the secret police. Nominated for nine Czech Lions in 2010, and winner of three. Directed by Jan Hrebejk and stars Lenka Vlasáková, Milan Mikulcík and Martin Huba. (From the Czech Republic, in Czech) (Drama) (2010) MA (L)
In an attempt to spice up an ordinary Friday night, three wealthy young men naively cross to 'the wrong side of the tracks' in Mexico City to have some fun. What they discover is a very different and sometimes dangerous reality hidden from their sheltered lives,[link widoczny dla zalogowanych], but they also make friendships with people they would not usually have had any contact with. Directed by Eva López Sánchez and stars Sebastián Hiriart, Juan Pablo Campa and Manuel Garcia-Rulfo. (From Mexico, in Spanish) (Drama) (2009) (Rpt) MA (L)
A compelling and poignant tale of friendship between two prostitutes struggling to survive life on the streets of Madrid. Caye is a young woman whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal alien who's been badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers. Winner of the 2006 Goya Award for Best Actress (Candela Pena). Directed by Fernando León de Aranoa and also stars Micaela Nevárez and Mariana Cordero. (From Spain, in Spanish) (Drama) (2005) (Rpt) MA (S)
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